I wrote a little review of Vanessa Blakeslee’s excellent story collection, Train Shots, for the equally excellent Vol. 1 Brooklyn. See it, read it, consume it right here.
In this month’s issue of Numéro Cinq, I talk about Ingrid Winterbach’s excellent The Elusive Moth. Though recently released by Open Letter, the novel was originally published in the 1990s and focuses on a woman living in a small South African town. The timeliness of Winterbach’s overarching themes—gender disparity; corrupt, powerful police—is quite chilling, and there are moments throughout reminiscent of recent events here in the US. One can’t help but feel the echo of Ferguson, MO when reading scenes of police lieutenants attacking innocent people, or when hell breaks loose the moment the marginalized attempt to take a peaceful stand. Amazing, brilliant, heartbreaking stuff.
Kind of old news, but I reviewed Leesa Cross-Smith’s debut collection, Every Kiss a War, a couple weeks back for Necessary Fiction. It’s a great book, and you can read my take right here.
More publications coming soon. Couple of reviews and two new short stories.
Cheap Pop published my short story, “Hood Ornament,” earlier this week. It takes about a minute to read, so please find the time to give it a look, especially if you’re a fan of James Dean, car crashes, and locks of hair. You can find it by clicking here.
Also, over at Numéro Cinq, I review Granma Nineteen and the Soviet’s Secret, a really fun novel from Angolan writer Ondjaki. If you were a child of the 1980s, seek out this book. It reads like an adventure film from my youth, as a group of kids band together to take down the Soviets who threaten their beachside village. Here’s a link.