I’m teaching a section of Introduction to Literature this semester, and a few friends asked about my syllabus. While I’m not going to bore anyone with such a dry document, I am willing to post the class reading list here, in (more or less) the order we’re discussing the work.
- Matthew Dickman, “Slow Dance”
- Joyce Carol Oates, “Where Are You Going, Where Have You Been?”
- Marie Howe, “What the Living Do”
- Ernest Hemingway, “The Killers”
- Flannery O’Connor, “A Good Man Is Hard to Find”
- ZZ Packer, “Brownies”
- Kathy Fish, “Shoebox”
- Anton Chekhov, “Oysters”
- Gray Jacobik, “Skirts”
- Denis Johnson, “Emergency”
- Edward P. Jones, “The Night Rhonda Ferguson Was Killed”
- Elizabeth Alexander, “Tina Green”
- Mary Ruefle, “The Hand”
- Abby Frucht, “The Empiricist”
- Cynthia Ozick, “A Drugstore In Winter”
- Raymond Carver, “Fever”
- Robert Coover, “The Babysitter”
- Richard Ford, “Rock Springs”
- Haruki Murakami, “The Second Bakery Attack”
- Jamaal May, “The Gun Joke”
- James Salter, “Ahknilo”
- Edgar Allan Poe, “Tell-Tale Heart”
- Charlotte Perkins Gilman, “The Yellow Wallpaper”
- Shirley Jackson, “Pillar of Salt”
- James Baldwin, “Sonny’s Blues”
- Lydia Davis, “Jury Duty,” “For Sixty Cents,” & “Traveling with Mother”
- Richard Brautigan, “1/3, 1/3, 1/3”
- Michael Oppenheimer, “Paring Knife”
- William Shakespeare, “Macbeth”
- Gary Gildner, “Fingers”
- Randall Jarrell, “The Death of the Ball Turret Gunner”
- Anton Chekhov, “Misery”
- Douglas Glover, “The Poet Fishbein”
- Ron Carlson, “Bigfoot Stole My Wife”
- Zadie Smith, “You Are In Paradise”
- Dick Allen, “To a Woman Half a World Away”
- Donald Hall, “White Apples”
- Emily Dickinson, “There’s a certain slant of light”
- Wallace Stevens, “Thirteen Ways of Looking at a Blackbird”
- William Carlos Williams, “The Red Wheelbarrow”
- Quim Monzo, “Praise”
- George Saunders, “My Flamboyant Grandson”
- Annie Dillard, “This Is the Life”
- Anton Chekhov, “The Lady with the Dog”
- Herman Melville, “Bartleby, the Scrivener”
- Katherine Anne Porter, “Flowering Judas”
- David Foster Wallace, “Consider the Lobster”
- Brian Doyle, “Joyas Voladoras”
- Nathaniel Hawthorne, “Young Goodman Brown”
- Julio Cortazar, “Axolotl”
- Aimee Bender, “The Rememberer”
- Carlos Fuentes, “Chac-Mool”
There are a few other pieces, but they’re part of midterms/finals, and I don’t want anyone snooping around to receive an unfair advantage, so I’m not including them here.